Episode 821
Javier Salmeron on Bitnami and Tanzu Application Catalog
Broadcom engineer Javier Salmeron explains the Bitnami open source project and how the Tanzu Application Catalog builds on this project to provide more features to developers and managers.
Links:
https://tanzu.vmware.com/
https://bitnami.com/
https://github.com/bitnami
10/6
Today I am grateful for excellent pizza at Paisano's on Chicago's south side last night.
10/5
Today I am grateful for a new inkjet printer.
10/4
Today I am grateful to see John Gorka in concert last night, and meet him and his son after the show.
10/3
Today I am grateful for a fresh haircut.
10/2
Today I am grateful to the handyman who fixed a few things in my condo yesterday.
10/1
Today I am grateful:
- for lunch with Michael yesterday
- to see Marques Carroll at Jazz Showcase last night
9/30
Today I am grateful to attend an exciting Bears - Rams game yesterday at Soldier Field.
9/29
Today I am grateful to attend a Northwestern - Wisconsin volleyball game last night in Evanston.
9/28
Today I am grateful for an amazing run by the Detroit Tigers this past month.
9/27
Today I am grateful for a full day yesterday:
- Lunch and a visit to the Art Institute with Jeff and Amos
- Presenting at the Tulsa .NET User Group
- Hosting AI Camp
- Late-night dinner and drinks with Trinh, Sara, and Chewy
9/26
Today I am grateful to see Billy Bob Thornton and the Boxmasters in concert last night!
9/25
Today I am grateful to see "Ain't Too Proud" last night at the CIBC Theatre and to see Otis Williams in person!
9/24
Today I am grateful for dinner with Richard last night.
9/23
Today I am grateful for a new Dahon folding bicycle
9/22
Today I am grateful to play Exploding Kittens last night for the first time.
9/21
Today I am grateful to finally test negative for COVID-19 this morning.
9/20
Today I am grateful to Kevin for volunteering as a last-minute replacement for an AI panel after I tested positive again.
9/19
Today I am grateful for:
- a 100-day streak studying Spanish on Duolingo
- a bike ride through Bridgeport with Dan last night
9/18
Today I am grateful to take a day off to recover from an illness.
9/17
Today I am grateful for NyQuil
9/16
Today I am grateful to attend Mass yesterday at the beautiful St. Michael Church in Old Town.
9/15
Today I am grateful:
- to see the Mike Jones Trio last night on my first visit to the Green Mill
- to the ladies who let us share their table, so we did not have to stand the entire show
9/14
Today I am grateful to attend a Braves - Dodgers game last night on my first visit to Truist Park.
9/13
Today I am grateful:
- to present at the Quest Security Summit yesterday
- to hang out with Pat last night in Atlanta
9/12
Today I am grateful to arrive safely in Atlanta.
9/11
Today I am grateful for a call from Linda and Carol yesterday morning
9/9
Today I am grateful for my first visit to the Forge in Lemont, IL this weekend.
9/8
Today I am grateful to see three legends in concert last night: Willie Nelson, Bob Dylan, and John Mellencamp!
9/7
Today I am grateful to play pickleball in Lemont yesterday.
9/6
Today I am grateful to my therapist Rosa, who allows me to rant and helps me work through my issues.
9/5
Today I am grateful for dinner last night with family to celebrate my son's thirtieth birthday!
9/4
Today I am grateful to Fernando and Andre, who made me look good by answering questions for the partner on my current project.
9/3
Today I am grateful to stumble upon an R&B band performing at the South Shore Social Beach Club yesterday
9/2
Today I am grateful to participate in Ride the Drive yesterday for the first time
I met John Gorka in 2002 after a concert in Newport, KY. For years, I had been listening to his smooth ballads, love songs, and sad songs on public radio, so I was excited to see him perform and to meet him.
Twenty-two years later, I met him again after his Wednesday evening performance at Chicago's City Winery.
Gorka's hair has turned gray in the twenty-two years between these shows. He looks frail and carries a cane, but his voice sounds the same. I heard the same rich baritone in 2024 as I did in 2002.
I was happy he played many songs from his earlier albums when he was a mainstay on my local stations. He opened with "I'm from New Jersey" off his 1991 album "Jack's Crows," a song that Gorka said embodied all the feelings of all his other songs. He also played four songs ("Branching Out," "Love is Our Cross to Bear," "I Saw a Stranger With Your Eyes," and the title track) from "I Know" - his very first album, released in 1987.
Listeners know John Gorka for the emotion he puts into his singing, and this emotion was on display in songs like "Let Them In" and "The Gypsy Life."
The singer told charming stories between songs and chatted casually with the audience. Before playing "Land of the Bottom Line," he explained that he wrote this song about a dark time in his life - a time when he had a job. After one lengthy story, he announced: "No more to say. This song is going to happen," and began playing. The 66-year-old singer/songwriter drew laughter when he picked up a half-size electric guitar and joked: "I'd like to play a little guitar for you." He told the story of meeting Pops Staples at a festival in England. Although Pops never recorded the song that Gorka sent him, he did inspire Gorka to write "Good Noise," which he performed tonight.
Although Gorka penned most of the songs he performed that night, he also treated us to a Nanci Griffith cover and a moving version of the traditional "Wayfaring Stranger."
John was alone on the stage with his guitar and piano for most of the evening. However, his son Joe Gorka joined him, providing a 30-minute solo warmup set, as well as two songs in which the pair performed together. Joe, who resides in Chicago, is a promising singer-songwriter in his own right, and the two share impressive chemistry on stage.
John Gorka never achieved the commercial success he deserved. The City Winery was less than half full on this weeknight. But he continues to perform and entertain and delight audiences.
GCast 184:
M365 Copilot allows you work with Micrsoft Excel using a natural language, such as English. In this video, you will learn how to perform complex Excel tasks, such as executing Python code, by asking questions in English.
Episode 820
Jason Bock on C# Source Generators
Jason Bock describes Source Generators - a new Roslyn-based .NET feature that allows you to configure your application to automatically generate code at compile time, based on changes to your source code.
Links:
https://learn.microsoft.com/en-us/dotnet/csharp/roslyn-sdk/source-generators-overview
https://github.com/dotnet/roslyn/blob/main/docs/features/source-generators.cookbook.md
https://github.com/JasonBock/Rocks
https://discord.com/channels/143867839282020352/598678594750775301
When I was in high school, my friends would come over to my house, and we would plug our instruments and amplifiers into the outlets of my parents' garage and play loud music, pretending to be rock stars.
Wednesday night at Chicago's City Winery, the Boxmasters reminded me of those days.
The Boxmasters are the brainchild of actor Billy Bob Thornton, who founded the group in 2007 in Bellflower, California - a town he mentioned multiple times during the evening. Seventeen albums later, the group continues to tour, bringing high energy and guitar-heavy three-chord rock wherever they go. It did not seem to bother them that the small club was less than half full. They performed for nearly two hours, with Thornton occasionally pausing between numbers to tell stories about his family, his life, his friends, and the band's past.
The "Bad Santa" star has assembled a group of first-rate musicians (two guitars, bass, and drums) while he handles the lead vocals. The solos of lead guitarist Kirk McKim were particularly impressive.
While low-resolution videos projected to the side of the stage, the Boxmasters performed almost exclusively original compositions, each with passion and energy. They closed the evening with their only cover song - a deep album cut of the Kinks that fits Billy Bob Thornton and his band.
I totally made up the story about my high friends playing music in my garage, but in my fantasies, that is how I spent my teenage Saturdays, and I sounded just like Billy Bob and the Boxmasters.
"Ain't Too Proud: The Life and Times of the Temptations" began its six-night Chicago run Tuesday evening at the CIBC Theatre.
The show traces the iconic vocal group's rise from small gigs in Detroit to signing with Motown Records to their superstar status and through their struggles.
The Temptations became the most popular rhythm and blues group of all time, but their fame came at a cost. Drug addiction, alcoholism, and illness caused attrition among the original five members.
Founding member Otis Williams occasionally stepped to the front of the stage to narrate the story, but the saga is told primarily through the singing and dancing that made this quintet legendary. Most of the songs came from the Temptations' catalog but included a few others from their era. The lyrics sometimes advanced the story, but mostly they set the scene's mood and entertained the audience. Sergio Trujillo's choreography made every number more entertaining.
Fame was rapid when it arrived, but it came at a cost. Williams's constant travel cost him a marriage and his relationship with his son.
The music of the Temptations filled a large part of my youth when I was growing up in Detroit. This evening's show was a fitting tribute and a peek into how the band came to be. My only complaint was the acoustics, which sometimes made hearing the actors' dialogue difficult.
After the play, the audience received a special treat as 82-year-old Williams walked on stage. He is the last surviving member of the original Temptations lineup. Longtime Temptations manager Shelly Berger stood beside him, and the two spoke to the audience about their love of the music and their fondness for Chicago.
The post-performance appearance of these originals made a special evening even more special.
Episode 819
Esteban Garcia on Prompt Engineering with GitHub Copilot
Xebia US CEO Esteban Garcia discusses the value of GitHub Copilot and how to craft your prompts to use this more effectively.
Carnegie Mellon University professor Randy Pausch was 46 years old when he was diagnosed with pancreatic cancer. Doctors gave him three to six months to live – an accurate prediction. He died the following year.
Before dying, Pausch delivered a lecture at CMU, sharing his childhood dreams and how he attempted to accomplish each. He fulfilled some dreams (writing for the World Book Encyclopedia, becoming a Disney Imagineer); some dreams he changed a bit (He did not become Captain Kirk, but he met William Shatner, and he experienced zero gravity rather than becoming an astronaut); and some dreams went unfulfilled but he grew by pursuing them (playing football never led him to the NFL, but he learned about the importance of fundamentals and accepting constructive criticism).
Following this lecture, Pausch wrote "The Last Lecture." In this book, he reiterated many of the points from his talk. He also told of how he and his family dealt with the knowledge of Randy's impending death.
The CMU lecture focused on Randy's pursuit of his childhood dreams, examples of how he empowered others to achieve their dreams, and advice to the audience and the children he was leaving behind. The book covers many of the same topics relayed in the lecture but provides more details and background. His parents encouraged creativity and compassion. His football coach taught him to set goals and work to achieve them. Mentors helped him to improve by forcing him to become more self-reflective. The reader can use that same advice in their life.
One can forgive the author if this book felt self-congratulatory at times. By all accounts, Pausch led a successful life, set his priorities correctly, and achieved what he hoped. He faced his death with dignity and with what optimism he could muster. Rather than seeking pity, he sought to focus on the positive aspects of his life.
Jayne Anne Phillips's novel "Night Watch" takes place during the final months and the aftermath of the American Civil War.
A decade after the end of the war, Eliza, who has not spoken aloud in nearly a year, arrives with her twelve-year-old daughter ConaLee at the Trans-Allegheny Lunatic Asylum in West Virginia, dropped off by a man who calls himself "Papa." Papa is not related to either woman. ConaLee's father left to fight in the war before her birth. After losing an eye and his memory, he never returned to his family. At the asylum, they meet a kindly doctor, a harsh nurse, a confused patient, and many other characters.
Through a series of flashbacks, Phillips slowly reveals each character's past. Some of their history is intertwined, although the author does not reveal this until late in the novel.
"Night Watch" does an excellent job of exposing the atrocities and trauma that war inflicts on its participants and bystanders. It also takes a hard look at mental health, exploring the effects of PTSD.
The frequent shifts in perspectives, the nonlinear narrative, and the lack of quotation marks often make the story difficult to follow. But it rewards those who pay attention with a well-written story.
GCast 183:
Using Copilot for M365 with Microsoft OneDrive
Learn how to use Copilot for M365 to analyze, summarize, and compare files stored in your Microsoft OneDrive folders.
Episode 818
Dean Schuster is an expert on User Experience (UX). He reviews some principles of good UX, some common UX mistakes developers make, and how to address those mistakes.
More than twenty years after introducing the world to Paddington Bear, Michael Bond published his eleventh story collection - "Paddington Takes the Test." Paddington lives with the Brown family in London, where his curiosity routinely gets him into and out of trouble.
The test of the title refers to a driving test in the book's first story. A case of mistaken identity leads a civil servant to take the talking bear on a driving test, which ends in a harrowing cruise through London.
Similar cases of misunderstanding occur throughout the seven stories, such as when the bear thought that Wellington boots were an ingredient in Beef Wellington.
Paddington's selfish neighbor, Mr. Curry, is featured heavily in these stories. Mr. Curry invites himself into the family's new sauna but gets locked inside; Curry tricks Paddington into ironing a fancy shirt with predictably disastrous results; and Curry gets Paddington to try out a hammock picked from the trash.
Michael Bond continued to delight readers into his third decade of stories about his most famous creation. After publishing this book, the author set aside writing short stories about Paddington for another twenty years. This volume was a good note on which to break.
Thirteen-year-old Theo was visiting the Metropolitan Museum of Art in Manhattan when a terrorist bomb struck. The blast leveled a wing of the museum and killed Theo's mother. Before wandering from the wreckage, Theo took a valuable painting - Carel Fabritius's "The Goldfinch" - and hid it for years. "The Goldfinch" is the title of Donna Tartt's 2013 novel, which tells Theo's story.
Theo moved in first with his best friend's dysfunctional family, then to Las Vegas to live with his estranged father, who is a grifter, gambler, and alcoholic.
Theo survived to adulthood thanks to his intelligence and the help of others - most notably his disreputable friend Boris and kindly old Hobie, who took in Theo and taught him the art of restoring antiques. But, the boy grew up flawed, nursing drug addiction, treating women as objects, and with a growing tendency to bend the rules when dealing with art collectors. All the while, he was haunted by the loss of his mother and the thought of the stolen painting hidden in a midtown storage unit. When Boris re-enters his life as an adult, Theo and Boris try to undo the damage they have done.
Although the terrorist attack on the Met is fictional, the painting is actual, as is Fabritius. The artist died in a 1654 explosion that destroyed many of his works.
"The Goldfinch" is a coming-of-age story about grief, friendship, dealing with tragedy, and redemption. It is also a thrilling action story of mobsters and international art thieves. Tartt takes the reader through the rollercoaster of Theo's life.
It was a thrilling ride.
Episode 817
Justine Cocchi on Building Applications using Azure Cosmos DB
Justine Cocchi is a PM on the Azure CosmosDB team. She describes CosmosDB, its features, how it handles reliability and scalability, and how to integrate it into your applications.
How often do we see three legendary performers on the same bill? We saw precisely that Saturday evening at Tinley Park's Credit Union Amphitheatre. Willie Nelson, Bob Dylan, and John Mellencamp each played a set to a sold-out audience. The three performed as part of the Outlaw Music Festival, which is traveling across the United States.
My evening began with John Mellencamp (blues/soul band Southern Avenue played a set before we arrived). The 71-year-old singer/songwriter was the youngest of the three headliners. Unsurprisingly, his was also the most energetic performance. He packed many of his hits into an hour set, including a solo acoustic version of "Jack and Diane," in which he mocked the audience (they skipped the second verse and went straight to the chorus) and himself ("I'm going to sing the second verse, even though it sucks.")
Bob Dylan followed with a set in which he decided to forego his guitar and play the piano, accompanied by an excellent ensemble of musicians. I saw Dylan perform seventeen years ago in Ypsilanti, MI, at a show where he seemed to ignore the audience. On this night, he did acknowledge the audience occasionally despite displaying his known shyness. Bob Dylan's strength has always been his songwriting, but he also mixed in covers by Chuck Berry, The Fleetwoods, and the Grateful Dead.
Willie Nelson headlined the evening. The audience's excitement was palpable when he walked slowly onto the stage. At 93 years, Nelson chooses to sit during his show, and his vocal range is less than it once was. Willie's guitar contained the scars of years of experience - not unlike his body. His hands are gnarled, and numerous wrinkles crease his face. But his joy in performing was apparent, and his guitar solos still impressed. Nelson took his time, singing each song with care. If he skipped some of the high notes, he showed emotion in his singing. His guitarist took the lead on two songs, and I wondered if this was Willie's son Lukas with eyeglasses and his long hair cut short or it may have been Waylon Payne. I could see a resemblance to each, but no one introduced the band to confirm this. On "Will the Circle Be Unbroken," Southern Avenue returned to the stage to sing backup.
I find it amazing that Nobel laureate Bob Dylan was the warmup act, but that is what one gets when Willie Nelson headlines. Even more impressive was that John Mellencamp, who possesses countless awards, platinum albums, and top 10 singles, was the warmup act to the warmup act.
Four hours of music left us exhausted and satisfied. We enjoyed every act, and I finally saw the iconic Willie Nelson in concert!
Wallace Stegner's 1970 novel "Angle of Repose" tells a story within a story.
After losing his leg, suffering through a debilitating disease, and divorcing his wife, retired history professor Lyman Ward decides to research and write about the life of his grandmother - nineteenth-century author Susan Burling Ward. Mrs. Ward suffered through a difficult marriage and financial issues as she and her husband moved across the frontiers of the western United States and Mexico.
Susan and her husband Oliver are both good people, but Oliver trusts too much, and others take advantage of him. This trait repeatedly leads to financial failures, which strains the couple's relationship.
Stegner alternates between the present-day troubles of author/narrator Lyman and the struggles of the female protagonist about whom he writes. The result is two engaging stories of people trying to maintain control of their lives. Each finds temporary escape in their writing, but it is not enough.
Lyman learns about himself by studying his grandmother.
Stegner based the character of Susan Ward on the real-life Mary Hallock Foote. He included many of Foote's letters in the book, attributing them to Susan.
The title refers to the angle at which dirt and stones settle when they fall down a slope. This may describe the canals on which the engineer Oliver worked. Stegner repeats the phrase multiple times in the book and uses this as a metaphor for the couple's relationship:
"What interests me in all these papers is not Susan Burling Ward the novelist and illustrator, and not Oliver Ward the engineer, and not the West they spend their lives in. What really interests me is how two such unlike particles clung together, and under what strains, rolling downhill into their future until they reached the angle of repose where I knew them."
Although the story lacks action, it makes up for it with the development of the characters and the parallels between grandmother and grandson nearly a century apart.
GCast 182:
Using Azure AI Document Intelligence Studio Custom Classification Model
The Custom Classification Model allows you to automatically determine a document type. This video shows how to configure this model using Azure AI Document Intelligence Studio.
Episode 816
Bill Sempf on Trends in Application Security
Bill Sempf describes the security issues of which we need to be vigilant when building software.
Links:
https://owasp.org/www-project-proactive-controls/
https://owasp.org/
https://bsides.org/
9/1
Today I am grateful to attend the Chicago Jazz Festival yesterday.
8/30
Today I am grateful that I survived a month in which I overcommitted.
8/29
Today I am grateful to mentor a successful Artificial Intelligence workshop this week and for all those who helped me prepare.
8/28
Today I am grateful that I won my appeal, and my Google Ads account is no longer suspended.
8/27
Today I am grateful to the friend who gifted me some new clothes last week.
8/26
Today I am grateful to see "The House of Ideas" at the City Lit Theatre yesterday.
8/25
Today I am grateful to talk with Mike this morning for the first time in forever.
8/24
Today I am grateful to see Terrance Simien in concert last night in Berwyn.
8/23
Today I am grateful to deliver a well-received presentation at the Cybersecurity Summit yesterday.
8/22
Today I am grateful for kind words from my manager this morning.
8/21
Today I am grateful to remove some dishonest people from my life.
8/20
Today I am grateful to see a Georgia O'Keefe exhibit at the Art Institute of Chicago yesterday.
8/19
Today I am grateful for breakfast with friends I first met 44 years ago.
8/18
Today I am grateful for:
- to celebrate at my son's wedding last night
- my new daughter-in-law
8/17
Today I am grateful for all the family and friends who have come to Chicago to celebrate my son's marriage.
8/16
Today I am grateful to deliver a presentation on Azure Monitoring and Application Insights to the Greater Lansing .NET User Group last night
8/15
Today I am grateful to see Back to the Future: The Musical last night.
8/14
Today I am grateful for an outdoor drink and music at Boat Drinks next to Burnham Harbor last night.
8/13
Today I am grateful to the bicycle shop owner who fixed my seat and did not charge me.
8/12
Today I am grateful
- to see the Chicago Air and Water Show this weekend
- to attend the Printer's Row Art Fair yesterday
8/11
Today I am grateful to attend my building's annual summer party yesterday.
8/10
Today I am grateful to see a jazz concert last night at Fred Anderson Park
8/9
Today I am grateful:
- to learn a lot at an AI workshop taught by Randy and Josh
- to attend the Record Row concert series at Willie Dixon's Blues Garden for the first time this summer
8/8
Today I am grateful to attend a Bush concert with Daniel last night.
8/7
Today I am grateful for a new tire on my car.
8/6
Today I am grateful to Manny, the tow truck driver, who got me to the tire repair place yesterday.
8/5
Today I am grateful for a walk around the Burnham Wildlife Corridor yesterday.
As one who read comic books well into my adult life, I was excited to learn about Mark Pracht's "Four-Color Trilogy" - a series of three plays based on the history of comic books. Two years ago, I loved "The Mark of Kane" - the story of the 1939 creation of Batman by Bill Finger and Bob Kane, who took credit for many of Finger's ideas. Pracht followed this success a year later with "Seduction of the Innocence," telling of the censorship that nearly destroyed the comic industry in the 1950s. The final entry in the trilogy - "The House of Ideas" - is currently in preview and runs through October 6. I caught a preview performance on Sunday afternoon. All three shows premiered at the City Lit Theatre - an intimate venue in Chicago's Edgewater neighborhood.
"The House of Ideas" follows Stan Lee and Jack Kirby, whose collaboration helped revive the comic book superhero genre in the early 1960s. The duo created memorable characters, including The Fantastic Four, Iron Man, the Mighty Thor, and the Incredible Hulk. Lee was an editor at the company that would become Marvel Comics. Kirby was an artist already well-known as the co-creator of Captain America two decades earlier.
Bryan Breau and Brian Plocharczyk excel as Lee and Kirby, respectively. Breau plays up Lee's optimism and showmanship, while Plocharczyk brings out Kirby's hard edges, honed by the artist's upbringing on the Lower East Side of New York City. As the 1960s turn into the 70s, Breau dons a wig and mustache to reflect Lee's tendency to adopt the latest fashions, while Plocharczyk's Kirby maintains the same haircut and attitude throughout the show.
Rivalry and a desire to achieve credit they feel is owed them strain the pair's relationship. Still, each respects his partner, and the actors do an excellent job transmitting these conflicting emotions to the audience.
Former City Lit Artistic Director Terry McCabe returned to direct this play, which featured low-resolution projections of old comic book covers and period photos, enhancing the mood of each scene.
Mark Pracht's trilogy ended with a bang. One can only hope he decides to turn it into a tetralogy.
Episode 815
Prasanna Pendse on Getting AI into Production
Prasanna Pendse is the Global Director fofr AI Strategy at Thoughtworks. He discusses how his customers are using AI effectively, some of the challenges of getting from an AI Proof-of-Concept to deploying an enterprise application, and how we can overcome those challenges.
How much joy does zydeco music bring?
Terrance Simien never stopped smiling throughout his 2-hour performance Friday evening at Fitzgerald's nightclub in Berwyn.
Simien began the evening with a few short songs before announcing that it was time to get real with some zydeco music. He took out his accordion while his bandmate strapped on a washboard, and the tempo picked up. The audience responded, moving from their seats to the dance floor.
Simien was born into an old Louisiana Creole family and began playing zydeco music at an early age. Five decades and two Grammy Awards later, he is still loving it. On this night, he paused only occasionally to highlight his backing band - drums, keyboards, bass guitar, saxophone, and trumpet - or to show off his Grammy trophy or toss beads into the crowd. All six instrumentalists were excellent, but the bass player and saxophone player particularly impressed.
He interspersed with his compositions cover songs, such as Bob Dylan's "I Shall Be Released," Bob Marley's "No Woman, No Cry," Stephen Stills's "Love the One You're With" (he told us that one was for the hippies in the audience), and a soulful version of Professor Longhair's "Big Chief."
At one point, half the band left the stage and snaked through the audience, playing their instruments. It felt like a New Orleans festival.
For an encore, the band pleased with "Amazing Grace," followed by "Shout" and a medley of "Down by the Riverside," "Amen," and "This Little Light of Mine."
By the end of the evening, everyone was smiling.
Ignatius Reilly is eccentric, arrogant, judgmental, overweight, dishonest, and lazy. But he is also intelligent and funny. At 30 years old, he still lives with his alcoholic mother, even though each holds the other in contempt. John Kennedy Toole's "A Confederacy of Dunces" tells Ignatius's story.
Toole tells the story with humor in his narration and dialogue.
He populates this story with bizarre characters, such as:
- Myrna Minkoff: A college friend of Ignatius. The two exchange letters in which they berate one another.
- Angelo Mancuso: A policeman who is punished for not finding and arresting enough people for vice offenses.
- Gus Levy: The owner of Levy Pants, where Ignatius briefly works. His wife henpecks him for not growing his father's business.
Reilly's world is filled with self-inflicted chaos. He is clever enough to blame the world for his misfortune, but he continues to get himself in trouble. When an angry customer complains that Reilly's employer shipped low-quality pants, Reilly sends him an insulting letter with Mr. Levy's forged signature at the bottom. While employed as a hot dog vendor, Riley eats nearly every dog in his cart, then tells his boss that he was robbed and beaten. Reilly frequently goes to the movies, mostly to shout his critique at the screen.
According to Ignatius: "Apparently, I lack some particular perversion which today's employer is seeking."
A book rarely comes to light so long after its completion. Toole killed himself in 1969, presumably due to his lack of success in finding someone to appreciate his work. "Confederacy" went unpublished until 1980, eleven years after the author's death. The book's popularity rose quickly, winning the 1981 Pulitzer Prize.
Although unknown during Toole's life, this novel is worth a read for its humor and outrageous philosophy.
GCast 181:
Using the .NET SDK to Create and Manage .NET projects
Learn how to use the .NET SDK to create, build, and run .NET projects from the command line.
Experts expect Cybercrime to cost companies $9.5 trillion in 2024. This anti-economy is larger than the Gross Deposit Product of every country besides the United States and China.
Microsoft has always taken security seriously, but staying ahead of hackers is a significant challenge. Microsoft Corporate Vice President and Security Fellow John Lambert once said: "Defenders think in lists; attackers think in graphs," indicating that hackers tend to be more sophisticated than those they attack.
Microsoft faces constant attack threats as a large software, hardware, services, and cloud company. The United States Department of Defense is the only organization targeted more than Microsoft.
After some partially successful attacks, Microsoft leadership decided to re-engineer their approach to security. The result was the Secure Future Initiative (SFI), which was introduced in late 2023 and expanded in mid-2024. It focused on three broad categories: Culture, governance, and accountability; Highest urgency and expansion of scope; and New operating model and processes.
This category included hiring new Igor Tsyganskiy, Chief Information Security Officer (CISO), and regular reports on security threats, responses, and updates to the Senior Leadership Team and the Board of Directors. Microsoft's senior leadership team now has plans and milestones correlating to their compensation. Other employees are also affected, as the company has included Security as a core priority in every role at all levels.
This Fiscal Year, the Microsoft leadership team is emphasizing that security is the number one priority of every employee. Projects, applications, and services often involve trade-offs between priorities (e.g., new features and bug fixes or between speed and reliability). The message to employees is: If a trade-off exists between security and something else, security takes precedence. Every employee in every division of the company received this message.
Microsoft introduced six security priority categories, known as the SFI Pillars. A Lead for each pillar drives the execution of that pillar across departments.
Microsoft's approach emphasizes the following security principles: Secure by Design, Secure by Default, and Secure Operations. I describe these principles below:
Microsoft builds Security into every product and service they ship. The Common Weakness Enumeration (CWE) is a list of security issues that Microsoft uses to determine and correct potential flaws.
Many products and services have options to increase security. These options are now turned on by default. You may turn them off at your own risk.
Microsoft provides monitoring tools to help users determine if their services and software are under attack or at risk of attack, allowing them to react quickly. Additionally, Microsoft has 34,000 engineers focused on security and has removed 730,000 applications that do not meet SFI standards.
The Secure Future Initiative consists of six major security priorities, as described below. Some pillars refer to commitments from Microsoft leadership; some are specific changes to processes and software.
This pillar ensures that all services and applications support protection tools, such as Multi-Factor Authentication, open identity standards, and system-managed credentials. It also involves encouraging the use of these tools and requiring internal employees to utilize them. System Managed Identities are more complex than passwords but are inherently more secure, and they remove the need for human intervention in rotating passwords.
Microsoft actively removed unused tenants and legacy systems, reducing the risk of exposing systems with insufficient protection. In addition, they have applied to existing systems, solid practices, such as least privelege access and denying access by unsecured devices.
This pillar involves improved isolation of networks. Microsoft production environments are now each isolated from one another, and this isolation is implemented by default in networks created by customers. These defaults help prevent a threat actor from moving laterally within a system.
The source code of all Microsoft products is secured, applying least privelege access to all users. Microsoft uses automated scanning tools and the Code Analysis Query language CodeQL to analyze source code and automatically detect potential vulnerabilities.
The testing and deployment of code to all environments is automated, making these processes repeatable and secure. The idea is to treat Testing, Development, and Demo environments with the same rigor as Production environments.
Monitoring and real-time threat analysis has been improved within Azure, making it easier to troubleshoot issues. Microsoft has implemented policies to keep security logs within a central data lake for at least two years, making it easier to detect threats more quickly.
Using the tools and practices described above, Microsoft has committed to reducing the response time when mitigating critical security issues and resolving vulnerabilities. Perhaps more importantly, they committed to increasing the transparency of the vulnerabilities when discovered.
Some of these recommendations came from a report issued by the Cyber Safety Review Board (CSRB) of the US Department of Homeland Security. Others are an evolution of what was already happening or a response to recent issues uncovered internally.
One goal is to drive a culture change, allowing every employee to prioritize security in everything they do. Security is a team sport involving everyone in the software development lifecycle. Turning on security features by default and adding multiple layers of defense make it easier to fall into the pit of success. Improved, more secure internal systems and better education are at the heart of these efforts.
Together, these activities will increase cybersecurity, decrease the risk of threats, and anticipate and respond to future cyberattacks.
Episode 814
Ben Kotvis on Modernizing Enterprise Applications
Insight Principal Architect Ben Kotvis describes the process of migrating and modernizing legacy applications, including the factors to consider and the challenges in migrating. He covers, greenfield applications, brownfield applications, and lift-and-shift deployments.
Many great novels tell a sweeping, epic story. In contrast, Eudora Welty's 1972 novel "The Optimist's Daughter" tells a simple story of a few people dealing with the death of someone close.
Laurel had already lost her husband and mother when she traveled from Chicago to New Orleans to care for her father, Judge Clint McKelva, following his surgery. When McKelva dies, Laurel and her father's second wife, Fay, return to the family's Mississippi home to prepare for the funeral. Fay is younger than Laurel and proves to be selfish and melodramatic. She seems to have married the man only for his money. As the old man's life slipped away, Fay complained: "I don't see why this had to happen to me." Fay's sense of entitlement and her anger contrast with Laurel's sweetness.
Scenes of the dying father, the mourners coming to pay their respects, and the conflict between Laurel and Fay are memorable for the emotion shown. Welty excels at writing dialogue that brings to life her characters.
This book triggered memories of my own life. I recall the death of each of my parents and how people who knew various parts of their lives remembered them differently. I remembered the death of my widowed sister and the aftermath, in which her second husband showed his true colors, which were not good. Laurel had to deal with similar issues as she grieved for her father.
"The Optimist's Daughter" is a short book with little action, but the author packs it with emotion. It is a story of a young woman's self-discovery as she deals with her grief. It is well worth the time it takes to read.
Sometimes, a story is a delight, even if you know exactly what is coming. This was the case with the Wednesday evening production of "Back to the Future: The Musical" at Chicago's Cadillac Palace Theatre.
The play stuck closely to the plot of the 1985 Robert Zemeckis movie, which I have seen multiple times. Still, the story, the actors, the dancing, the characters, and the music kept the audience engaged throughout the play's 3-hour run time.
Caden Brauch did an excellent job channeling Michael J. Fox's interpretation of Marty McFly, the boy who finds himself transported 30 years back in time to the week that his parents met and fell in love. Marty unintentionally disrupts their first meeting, and his high-school-age mother falls for Marty instead.
Similarly, Burke Swanon's performance as the nerdy George McFly was almost identical to Crispin Glover, who portrayed George on the big screen.
Don Stephenson puts a slightly different spin on his portrayal of Doc Brown, the mad scientist who invented the time machine and assists Marty in both the present and the past at different times in Doc's life. Stephenson eschews Christopher Lloyd's gravelly voice, sounding much younger than the film version; but he retains Doc's manic quirkiness.
Early in the show, Marty asks Doc where all the dancing girls came from. Doc responds with a straight face: I don't know. They appear every time I start singing.
Director John Rando brings it all together, weaving a fun tale of relationships, consequences, and science fiction. He brilliantly used a translucent screen between the actors and the audience to portray technical effects, such as flying and time travel, and natural effects, such as rain storms.
The music of Alan Silvestri (who composed the soundtrack of the Zemeckis film) and the lyrics of Glen Ballard (best known for co-writing and producing Alanis Morisette's "Jagged Little Pill" album) entertain and advance the story.
Besides the music, the show inserts some minor twists, including Uncle Huey, who is mentioned in the first act but makes an appearance near the end.
This show felt like a trip back to 1985. I enjoyed this week's performance so much that I will consider seeing it again. But not until I re-watch the movie trilogy.
Episode 813
Kevin Griffin on the Multithreaded Income Podcast
Kevin Griffin's podcast informs its listeners about the financial aspects of the IT industry. He talks with me about the podcast's goals, guests, topics, and history.
Links:
https://multithreadedincome.com/
https://podcast.multithreadedincome.com/
https://www.youtube.com/@MultithreadedIncome/videos
It has been over a year since I picked up one of Michael Bond's delightful Paddington stories. This week, I corrected this by reading the "Paddington Goes to Town" - the eighth book in the series.
For those who do not know, Paddington is an anthropomorphic bear from darkest Peru, adopted by the Brown family in London. He means well, but he has a knack for getting into and out of trouble.
Like its predecessors, this volume contains seven stories. The bear serves as a wedding usher but accidentally gets the bride's ring stuck on his paw; his grumpy neighbor, Mr. Curry, coerces Paddington into caddying for a golf contest; Paddington spends two stories in the hospital trying to visit Mr. Curry after his injury on the golf course; the silly bear searches for the perfect ornament to enhance the garden of his friend Mr. Gruber; he sets out singing carols, but ends up as a waiter at a private party; and he causes confusion when Londoners mistake him for a busker and drop money in his hat.
Paddington confuses himself and others because he takes everything literally and responds accordingly. He assumes his role as a wedding usher is to 'ush anyone who speaks. The hospital receptionist refers to a psychiatrist as a "head-shrinker," which makes little sense to the bear. He is confused by the phrase "Vladimir's beside himself." When asked if he has experience waiting, he misunderstands that the lady wants to know if he has ever waited on tables and describes the time he had to wait for a bus.
"Paddington Goes to Town" is another delightful collection from Michael Bond.
Wednesday was an evening of grunge music at the Huntington Bank Pavillion on Chicago's Northerly Island. Headliners Bush invited three acts to open for them. A prior commitment prevented me from seeing Tim Montana, but Candlebox put on a very good show as the crowd trickled in. Jerry Cantrell followed, performing music from his solo album and his time as lead singer and lead guitarist of Alice in Chains. He closed his set with an excellent rendition of "Rooster" - his tribute to his veteran father.
With so many acts, Bush did not hit the stage until almost 9:30 PM. But they hit the ground running, opening with the intense "Everything Zen," followed by the frantic "Machine Head."
This tour was labeled "The Greatest Hits Tour," so the band favored their singles over deep album tracks. The crowd loved it. Lead singer Gavin Rossdale danced around the stage during many of his songs, and the audience bounced with him. He slowed things down when the rest of the band left the stage, allowing him to perform "Swallowed" and "Glycerine" accompanied only by his guitar.
The group's encore set included a cover of the Beatles' "Come Together" and closed with Bush's hit "Comedown."
This venue, situated on a point of land ("Northerly Island" is not an island, strictly speaking), is a wonderful place to experience live music. After so many bands, I left exhausted but feeling good.
A young woman approached me after I delivered my "You and Your Technical Community" presentation at Beer City Code Saturday in Grand Rapids, MI. In my talk, I shared how my involvement in the tech community enhanced my career and suggested how others could get involved. I hoped to inspire some of them to try public speaking, connect more with others, and volunteer at local events. This woman had recently moved to suburban Detroit and wanted to know how she could find opportunities to get involved locally. I was delighted to help her because I was thrilled that she heard the lessons I was trying to teach, and she was determined to act on those lessons.
I also delivered a presentation at BCC titled "Blood, Sweat, and Code Reviews," in which I described the process, benefits, and challenges of conducting effective code reviews and ways to address those challenges. I heard positive feedback from attendees of this talk as well.
Teaching and inspiring attendees is one of my motivations for attending conferences like this. But I also was able to learn. In addition to my two sessions, I listened to the following:
Debunking the Complexity of Continuous Deployment
Carlus Henry talked about the advantages and challenges of CI/CD and walked through the process of creating a reliable deployment process.
Azure Managed Identities: Connect Without Connection Strings
AL Rodriguez (He capitalizes his entire first name all across social media) demystified identity management in Azure and simplified the concept of managed identities.
Getting Good (or Better) at Code Reviews
I wanted to see Rhia Dixon's presentation because one of my talks at this conference was on a similar topic. I will incorporate a few of her ideas into my presentation next time.
I was pleasantly surprised to learn that Microsoft sponsored this event. My employer used to financially support many code camps like this, but they have done so less frequently in the past few years.
I loved seeing old friends, meeting new people, and hearing positive feedback from attendees. I am grateful to J Tower and the other organizers for an excellent weekend!
Episode 812
Rob Bogue on Getting the most out of RAG with Copilot for M365
Rob Bogue defines Retrieval Augmented Generation - a way to enhance natural language searching, how Copilot for Microsoft 365 takes advantage of this pattern, and how to extend this capability.
8/4
Today I am grateful to J and the other organizers of Beer City Code for an excellent event!
8/3
Today I am grateful for an evening in Grand Rapids, MI that included:
- a Diversity and Inclusion Mixer
- Dinner with old friends
8/2
Today I am grateful to Brian for inviting me to co-host the Partner Showcase show yesterday.
8/1
Today I am grateful to the man who chased after me to return my wallet that I dropped while riding my bike yesterday.
7/31
Today I am grateful that the pain from my accident last month is now gone.
7/30
Today I am grateful to witness a Bobby Witt Jr. grand slam last night at the White Sox - Royals game.
7/29
Today I am grateful
- to see Guster in concert last night
- to stumble upon the Chinatown Summer Fair yesterday.
7/28
Today I am grateful to see Thee Sacred Souls in concert last night in Skokie.
7/27
Today I am grateful to see Courtney Barnett and Bob Mould in concert last night in Skokie.
7/26
Today I am grateful to attend a recording of "Wait Wait Don't Tell Me" at the Studebaker Theatre last night.
7/25
Today I am grateful for new lawn chairs.
7/24
Today I am grateful for a BBQ dinner last night with Daniel, Paul, and Kelsey.
7/23
Today I am grateful for a bike ride with Daniel and Paul yesterday
7/22
Today I am grateful to play pickleball for the first time in weeks.
7/21
Today I am grateful to attend M365 Chicago Community Days yesterday
7/20
Today I am grateful:
- to Daniel for helping me assemble my new bed yesterday
- to attend a speaker dinner last night
7/19
Today I am grateful:
- to deliver the world premiere of an AI presentation last night at the Louisville .NET User Group
- to host the Chicago Java User Group last night
7/18
Today I am grateful to see Acoustic Alchemy in concert last night.
7/17
Today I am grateful for minimal storm damage in my neighborhood and no damage to my home.
7/16
Today I am grateful for a call from Meenakshi last night.
7/15
Today I am grateful to pass an exam yesterday and renew my Microsoft AI certification.
7/13
Today I am grateful for a new pickleball paddle.
7/12
Today I am grateful to see "Ain't Misbehavin'" last night on my first visit to the Drury Lane Theatre in Oakbrook Terrace.
7/11
Today I am grateful for a new mop.
7/10
Today I am grateful for a new work laptop.
7/9
Today I am grateful to pass 1,000 subscribers of #TechnologyAndFriends!
7/8
Today I am grateful to have lost sixty pounds in the last year.
Guster lead singer Ryan Miller drew cheers from the audience at a Friday night concert in Skokie, IL, when he announced that he grew up in Skokie. He told the crowd that he visited his old house earlier in the day and that his grandfather had built the nearby temple. Miller looked out on the crowd and quipped that this was "a good-looking group of suburban Jews," which brought laughter from the crowd across the Illinois Science + Technology Park Field.
The concert was the final evening of the three-night Out of Space series presented by SPACE nightclub in Evanston.
Miller continued to reference this town throughout the show. At one point, he claimed that, before settling on the name "Guster," they considered naming the band "Skokie." They then played a song about "Skokie."
Although Miller weaved humor between the numbers, Guster is serious about their music. Their tight harmonies were evident tonight as they worked through over twenty songs. Each band member is a first-rate musician, and their arrangements brought smiles to faces. Percussionist Brian Rosenworcel was particularly impressive, moving between a traditional drum set and a large set of bongo drums that he played barehanded.
The crowd was in a frenzy, bouncing to catchy tunes and shouting along, as in the "4-3-2-1" chorus of "Barrel of a Gun." Miller continued to be the focus. At one point, he ran through the crowd with a lawn chair borrowed from an audience member before returning to the stage and lounging in the chair.
After ninety minutes of performing, Miller announced they would "fake an encore." They played two more songs, including Fleetwood Mac's "Dreams."
I loved the show, but I did some searching when I returned home, and I could find no evidence online that Ryan Miller ever lived in Skokie.
Episode 811
Greg Crist is a solution architect for Elastic. He talks about how to implement observability in your applications to be more proactive in resolving issues. He dives into some of Elastic's observability tooling.
Links:
https://www.elastic.co/
Stripped-down music is often the best music.
Friday evening kicked off three nights of "Out of Space" - an annual series of outdoor concerts presented by the SPACE music club in Evanston, IL. Typically, the organizers hold these concerts in Evanston (I have been to a few of them at Canal Shores Golf Course). They moved the shows to the Illinois Science and Technology Field in Skokie this year. It was a different venue but a similar atmosphere.
This opening night featured three artists, each bringing high energy with a small group - Squirrel Flower's quartet, Bob Mould's solo performance, and Courtney Barnett's trio. One does not need to fill a stage with people to fill a room with sound. Australian Courtney Barret headlined the event, but each artist contributed admirably to the evening.
I was unfamiliar with Courtney Barnett when I bought tickets to this concert. I really wanted to see the warmup act, Bob Mould. I have been a fan of Mould's work since I was a disc jockey at a student radio station at Michigan State University decades ago. Mould's band "Husker Du" was a regular on our playlist, which featured alternative rock music. My fandom continued with Mould's next band, "Sugar," and his later solo work. Mould did not disappoint on this night. He played for an hour, mixing tunes from throughout his four-decade career. Although he stood alone on stage, his frantic guitar work sounded as if he had a full band behind him.
Preceding Bob Mould was a local artist who called herself Squirrel Flower. She played a mean guitar and led a four-piece band.
Courtney Barnett hit the stage right on time and played for over ninety minutes. Her rockers were full of energy, and her slow songs were full of emotion. She is known for her songs' clever lyrics, so it was no surprise that devoted fans in the crowd sang along. But she drew the loudest applause when she launched into a blistering guitar solo. Backed only by Bones Sloane on bass and Dave Mudie on drums, Barnett showed the energy one can create with a power trio. She played selections from her three studio albums. Highlights included "Avant Gardener," "Before You Gotta Go," and "On Script," a song originally recorded as a duet with Kurt Vile. She closed with "Nobody Really Cares If You Don't Go to the Party" - a terrific singalong song - before thanking the audience and walking off stage. Surprisingly, she did not return for an encore.
But, after three bands and nearly four hours of music, it was enough.
Mark Haddon's 2003 novel "The Curious Incident of the Dog in the Night-Time" is difficult to assign to a category. Although some see it as a story for youth, the strong language causes me to question whether this is a suitable book for children. Some view it as a mystery, but the clues presented are not as foolproof as a traditional detective story.
Christopher Boone, a bright 15-year-old boy in Swindon, England, narrates the book. The first-person narration gives us a look into Christopher's thought processing. Although Christopher possesses a remarkable mind, he has emotional issues that suggest he may be on the autism spectrum. He takes everything literally; he cannot stand to be touched; he is incapable of lying; and he obsesses over colors and prime numbers. In fact, the chapters of "Curious" are all prime numbers, rather than the traditional ordinal numbers. Additionally, his handicap prevents him from filtering excessive stimuli or applying intuition. But he possesses a photographic memory and a gift for using logic and reason in every situation.
Christopher has lived alone with his volatile father, Ed, since Ed came home two years ago and informed him that the boy's mother died of a heart attack in hospital.
One day, Christopher discovers the body of his neighbor's dog, Wellington, stabbed to death by a gardening fork. Christopher sets out to find the killer. When Ed learns that Christopher has been bothering the neighbors, he insists that the boy stop meddling in other people's business.
As the story progresses, we learn more about Christopher, his family, and some of the lies told to Christopher and the reader.
As someone recently hurt by the lies of someone close, this story resonated strongly. Like Christopher, I trust people until they demonstrate they do not deserve that trust. Like Christopher, the pain feels like a betrayal when people break that trust.
This book is filled with anxiety and frustration and heartache and humor and hope - much like life.
GCast 180:
Using M365 Copilot with Microsoft Outlook Emails
Learn how to use Copilot for Microsoft 365 with Microsoft Outlook to better create, summarize, and manage your emails.
While waiting for the opening keynote at the M365 Community Days, the man beside me turned and said, "Hi." "Do I know you," I asked. "You look familiar." We had worked together fifteen years ago, and he was a fan of my show. These are the interactions one has at community events like this one held Saturday in downtown Chicago. I miss the days when we had many technical community events from which to choose, so I was happy to assist the volunteers in hosting the M365 Community Days in Chicago on July 20.
This event grew out of SharePoint Saturday - a conference held worldwide before the pandemic. Dozens of attendees decided to forego a beautiful Saturday in Chicago and spend the day indoors. Speakers arrived from all over the world, including Singapore, Alaska, England, and India - many of them at their own expense.000
Adam Hecktman kicked off the day with a talk titled "AI for Good," which highlighted ways that Artificial Intelligence is making the world a better place.
Ashish Rana gave a presentation titled "Build and Extend AI-powered Copilots with Copilot Studio," giving an overview of Copilot Studio. I heard a lot of useful information, but I hoped to see a demo.
In his session "How to Fake Being an AI Expert: An Evil Consultant's Guide to AI," Hugo Bernier pretended to be his evil twin, Oguh Reinreb, who gave bad advice about implementing and using AI. He did so to highlight the best ways of using this technology.
Heather Cook closed with her keynote presentation, "Delivering Business Value, Trust and User Satisfaction in the Era of AI." She talked about how AI is changing the world and how to use AI to your advantage. She invited Tammy McMiller, co-founder and CEO of Plan Heal, a startup that uses AI to predict health risks, onto the stage. Tammy told us about her company and how Microsoft for startups is helping them. She demoed a chatbot her company developed to collect relevant symptoms from a patient.
With Fourteen tracks, I worried that the crowd would be spread so thin that some sessions might attract no attendees, but this was not the case. I enjoyed learning something new and interacting with folks in the tech community.
Just like the old days.
Episode 810
Magnus Martensson on the Cloud for the Public Sector
Magnus Martensson discusses challenges specific to governments and the public sector when building cloud solutions, as well as some cloud solutions built for the public sector.
Anthony Doerr's 2014 novel "All the Light We Cannot See" takes place in Europe during World War II, but it is less about the war and more about the toll the war takes on young lives. The book follows Marie-Laure LeBlanc, a blind girl who flees to Saint-Malo when the Nazis invade Paris; and Werner Pfennig, a teen boy conscripted into the German army. The narrative alternates between the lives of the two teenagers until their paths briefly cross near the end of the book.
The youths react to the war in different countries and in different circumstances - Marie-Laure as a French refugee and Werner as a German soldier. They connect only because Werner's superiors assign him to find a diamond that Marie-Laure's father hides.
Doerr makes us believe the characters and feel their fears and frustrations. His style is pleasant and flowing. Here are a few examples:
"Time is a slippery thing: lose hold of it once, and its string might sail out of your hands forever."
"His voice is low and soft, a piece of silk you might keep in a drawer and pull out only on rare occasions, just to feel it between your fingers."
"Every hour, she thinks, someone for whom the war was memory falls out of the world."
The reader sees the war through the eyes of the innocents caught up in its violence and tragedy. It is a story of despair and resilience and survival.
It is beautiful and gut-wrenching.
Twenty-four years after the publication of her successful book "Housekeeping," Marilynne Robinson followed up with 2004's "Gilead." This second novel would go on to win the Pulitzer Prize for Fiction and the National Book Critics Circle Award.
76-year-old John Ames knows he is dying after a lifetime as a preacher in the fictional town of Gilead, Iowa. Knowing his days are numbered and knowing that his 7-year-old son will have limited memories of him, he writes a letter to his son. Part of the letter describes events during the days it takes him to write it, and part of it is a reflection on Ames's life and the lives of his father and grandfather, who were also preachers.
This is a thought-provoking novel. Robinson, via Ames, discusses theology, forgiveness, family relationships, racism, war, pacifism, and the different ways people practice and preach their beliefs. The novel contrasts Ames's pacificist father with his grandfather, who assisted John Brown's violent abolitionist methods before the Civil War.
Much of it revolves around the narrator's faith - how he lives his life relative to his belief and his role as a minister in the community.
"Gilead" is light on plot, but it captivates the reader with the thoughtful, optimistic musings of its narrator.
In the last article, I showed you how to create an Azure AI Speech Service. You can use this service to write an application that creates speech from text. You can access the service via API calls, but it is easier if you use an SDK. In this article, I will show how to use the .NET Speech Service SDK to convert speech into text.
Log into the Azure Portal and navigate to a Speech Service you created. See this article) to learn how to create a Speech Service.
Fig. 1 shows the "Overview" blade of the Speech Service. This contains the region and the keys for this service. Copy and save the Region and one of the keys.
Fig. 1
To work with the SDK, your project needs to reference the Microsoft.CognitiveServices.Speech NuGet package. The following command installs the package in the current project.
dotnet add package Microsoft.CognitiveServices.Speech --version 1.30.0
This package contains two relevant classes: SpeechConfig and SpeechRecognizer. SpeechConfig accepts our Speech Service's key and region as constructor parameters, so that it knows where to call to handle the translation. The SpeechRecognizer class takes as constructor parameters an instance of SpeechConfig and an AudioConfig object. The AudioConfig object allows you to specify the source of the speech, which can be a microphone or a file.
Here is the code:
string aiSvcKey = "xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx";
string aiSvcRegion = "xxxxx";
SpeechConfig speechConfig = SpeechConfig.FromSubscription(aiSvcKey, aiSvcRegion);
using AudioConfig audioConfig = AudioConfig.FromDefaultMicrophoneInput();
using SpeechRecognizer speechRecognizer = new SpeechRecognizer(speechConfig, audioConfig);
Replace the x's with the key and region of your service. In a real (not demo) application, you would choose to store these values in a configuration store or file, rather than in code. This is for demo purposes.
Finally, we call the SpeechRecognizer's RecognizeOnceAsync method to translate the spoken words into text. This method returns a SpeechRecognitionResult object that contains a Text property: The text of what it heard spoken. SpeechRecognitionResult also has a Reason property that can come in handy if an error occurs.
Here is the code:
Console.WriteLine("Speak into the default microphone!");
SpeechRecognitionResult result = await speechRecognizer.RecognizeOnceAsync();
Console.WriteLine($"You said: {result.Text}");
Console.WriteLine($"Result: {result.Reason}");
Below is the full code for a console app that allows the user to speak into a microphone, then print what was spoken:
using Microsoft.CognitiveServices.Speech;
using Microsoft.CognitiveServices.Speech.Audio;
namespace SpeechToTextDemo
{
class Program
{
static async Task Main(string[] args)
{
string aiSvcKey = "8cda2fb96d0c431aa975e9b103911a24";
string aiSvcRegion = "EastUS";
SpeechConfig speechConfig = SpeechConfig.FromSubscription(aiSvcKey, aiSvcRegion);
using AudioConfig audioConfig = AudioConfig.FromDefaultMicrophoneInput();
using SpeechRecognizer speechRecognizer = new SpeechRecognizer(speechConfig, audioConfig);
Console.WriteLine("Speak into the default microphone!");
SpeechRecognitionResult result = await speechRecognizer.RecognizeOnceAsync();
Console.WriteLine($"You said: {result.Text}");
Console.WriteLine($"Result: {result.Reason}");
}
}
}
In this article, you learned how to convert speech to text in a C# application, using the Azure AI Speech Service.
Episode 809
Andrew Brust on the History of Big Data
Andrew Brust talks about how big data tools have evolved, how cloud computing has helped, and what Microsoft is doing to make Big Data analysis easier.
Thursday at the Drury Theatre in Oakbrook Terrace, I attended a performance of "Ain't Misbehavin'" - a musical review of the works of Fats Waller.
I have been a fan of this man's music for decades, so I was excited about the show, even though I knew almost nothing about it.
The musical features thirty-one songs recorded initially by Waller. Waller composed some tunes, such as the title song, "Honeysuckle Rose," and "I Can't Give You Anything but Love." He recorded others that originated from a different composer, including "I'm Gonna Sit Right Down and Write Myself a Letter," "Two Sleepy People," and "Your Feet's Too Big."
This "play" lacks a story or plot. Instead, the singers and dancers act out each song on stage, dressed in period costumes and pretending to frequent the speakeasies and jazz clubs of the 1930s.
Although not specifically identified as Fats, Lorenzo Rush Jr. was perfect in the role, with his rotund physique and bravado. James Lane was the other male singer, along with three ladies: Sharriese Hamilton, Alanna Lovely, and Alexis Roston. Each added depth to the characters while entertaining us with their excellent voices.
The music was bluesy and bawdy, with a few ballads mixed in. Backing up the singers, an excellent band led by dynamic pianist and conducter William Foster McDaniel, whose piano moved around the stage to make room for the dancers.
Fats died in 1943 at thirty-nine, but his music lives on, allowing us to behave or misbehave, as we choose.
How does one compress a 500-page novel into a 90-minute stage performance? This was the challenge the folks at Lifeline Theater in Rogers Park decided to tackle.
How does one compress a 500-page novel into a 90-minute stage performance? This was the challenge the folks at Lifeline Theater in Rogers Park decided to tackle.
Richard Wright's 1940 novel "Native Son" remains a classic of American literature. It tackles the issues of institutionalized racism and violence in the Black community through the eyes of the 20-year-old Bigger, an African American living in the projects of Chicago's south side in the 1930s.
Bigger takes a job as a driver for the Daltons - a wealthy white family. During one drive, the family's radical daughter Mary drinks and flirts with Bigger and introduces him to her Communist friends. The evening ends tragically when Bigger accidentally kills Mary. The incident destroys the lives of everyone involved.
The Lifeline production retained the novel's basic plot but moved quickly from place to place and from time to time, showing flashbacks of Bigger's troubled past. Writer Nambi E. Kelley and Director Ilesa Duncan did an excellent job maintaining the spirit of Wright's novel and characters.
While the Bigger of this play is not quite the sociopath of the book, his instincts for self-preservation push him to make catastrophic selfish decisions, often at the cost of those around him. Bigger struggles to control his anger, which leads to his downfall. Kelley emphasized Bigger's struggles to suppress his violent nature and survive in white society by having two actors play the role. Tamarus Harvell played the Bigger seen by the world, frequently arguing with his invisible dark side, James Lewis, who constantly followed him, influencing his behavior. The device worked, eliminating any need for an inner monologue or narrator.
The supporting cast provides much to consider. The self-congratulating white liberals and the Black women in Bigger's life, who unfairly face the consequences of their men, add complexity to the story.
This adaptation felt frantic and brutal but never rushed.
In the last article, I showed you how to create an Azure AI Speech Service. You can use this service to write an application that creates speech from text. You can access the service via API calls, but it is easier if you use an SDK. In this article, I will show how to use the .NET Speech Service SDK to convert text into speech.
Log into the Azure Portal and navigate to a Speech Service you created. See this article) to learn how to create a Speech Service.
Fig. 1 shows the "Overview" blade of the Speech Service. This contains the region and the keys for this service. Copy and save the Region and one of the keys.
Fig. 1
To work with the SDK, your project needs to reference the Microsoft.CognitiveServices.Speech NuGet package. The following command installs the package in the current project.
dotnet add package Microsoft.CognitiveServices.Speech --version 1.30.0
This package contains two important classes: SpeechConfig and SpeechSynthesizer.
We create a SpeechConfig object, passing our Speech Service's key and region into the constructor, so that it knows where to call to handle the translation. This object also allows us to set properties, such as the voice to use and the output audio device.
Here is the code:
string aiSvcKey = "xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx";
string aiSvcRegion = "xxxxx";
SpeechConfig speechConfig = SpeechConfig.FromSubscription(aiSvcKey, aiSvcRegion);
Replace the x's with the key and region of your service. In a real (not demo) application, you would choose to store these values in a configuration store or file, rather than in code. This is for demo purposes.
Next, we select a voice and accent in which to speak. Microsoft provides hundreds of voices in dozens of languages. You can find a full list here.
The code below sets the voice to an American male.
speechConfig.SpeechSynthesisVoiceName = "en-US-AriaNeural";
We then SpeechSynthesizer object, passing the SpeechConfig object into its constructor, as in the following code:
using SpeechSynthesizer speechSynthesizer = new SpeechSynthesizer(speechConfig);
SpeechSynthesizer's TranscribeCommand method attempts to convert the text to speech. If successful, you will hear a voice speaking the input text in the voice coming from the output speakers you chose. The method returns a SpeechSynthesisResult object, which contains a Reason property. This can be useful to examine if something goes wrong. Here is code to call the method:
var text = "Hello World";
SpeechSynthesisResult speak = await speechSynthesizer.SpeakTextAsync(text);
Console.WriteLine("Result reason = {speak.Reason}");
Below is the full code for a console app that allows the user to input text, then speaks that text aloud:
using Microsoft.CognitiveServices.Speech;
namespace TextToSpeechDemo
{
class Program
{
static async Task Main(string[] args)
{
string aiSvcKey = "8cda2fb96d0c431aa975e9b103911a24";
string aiSvcRegion = "EastUS";
SpeechConfig speechConfig = SpeechConfig.FromSubscription(aiSvcKey, aiSvcRegion);
speechConfig.SpeechSynthesisVoiceName = "en-US-AriaNeural";
using SpeechSynthesizer speechSynthesizer = new SpeechSynthesizer(speechConfig);
Console.WriteLine("Type text to speak:");
var text = Console.ReadLine();
SpeechSynthesisResult speak = await speechSynthesizer.SpeakTextAsync(text);
Console.WriteLine("Result reason = {speak.Reason}");
}
}
}
In this article, you learned how to convert text to speech in a C# application, using the Azure AI Speech Service.
GCast 179:
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